Troubleshooting (online reflection #2)
Walking into my second lesson for my unit
over Lord of The Flies (1954), by
William Golding, I couldn’t have been more excited. Riding off a pedagogical
high of excitement and energy from my last lesson, I expected this one to keep
that same momentum. The morning started off great. Students still had my last
lesson resonating in their heads as we conferred, and some were ready to jump
right into the text—their eyes feasting
on the island. However, as I situated the class dynamic for the reading of
this novel, a whole-class read, I slowly realized an error in my instruction. Now,
sitting by my laptop days later, and having my “teacher of the year” mug glower
at me, I realize that I made a boring lesson.
Yeah, that’s right. It was a boring
lesson. Essentially, I made all of the students follow along with the help of
an audiobook as I had them sit in their small, compartmentalized desks. Going
into the class, I figured the accompanying worksheet, with guiding questions,
would be enough to keep them energized and actively immersed with Golding’s
world, but, it seems my hubris got
the best of me. Watching my students sit isolated from their peers, listening
to the droning cadence of a semi-enthused British voice (and trust me, this was no David Attenborough), I myself felt a wave
of comatose place a pall over my excitement. Finally, after 53 excruciatingly
long minutes of the audiobook, I was finally able to exhale. Trying my best to
keep their heads afloat throughout the reading, the sleepers (or as they coin themselves “the head-resters”)
finally sprang back to life with a sigh of relief. One student of mine, attuned
to the sound of his projected commentary, exclaimed to his other “survivors”
that “this book is boring.” Understanding this feeling, and putting away any
notion of pride, I told him something that many teachers today would dismiss
with a passive hand. I told my student “you’re right.”
Most teachers, from my recollected history, were
too proud to admit that they had constructed a boring lesson. If anything, the
blame was always put upon the students for not being engaged. However, in order
to fully grow as an intentional and humble educator, you must be able to admit mistaken foresight when it happens.
What I mean by mistaken foresight implies an
educator neglecting the various outcomes of their intended lesson; an educator
who doesn’t factor in the potential failures. With that notion coalescing my
neurons, the idea of mistaken foresight allowed me to ponder on my not-so
impressive lesson involving the whole-class read. Reflecting over this
experience, I wonder what I could have done differently to spark engagement,
sustain excitement, and pique critical thinking and collaboration. Essentially,
what could I have done to enhance my whole-class read?
Starting with the whole-class read in
general, there are many risks a teacher can run into when having students
follow along a singular voice. A whole-class read can waste time, further
confuse students who have their own reading practices, and forever sour
students on a valued text (Bomer, 2011, p. 85). As I read over that last point,
thinking back to my “resting” students, I feel the urge to apologize to Mr. Golding.
However, it wasn’t just that I made the students listen to an audiobook that
was the problem, the real problem came from my ability to mediate and construct
moments of meaningful engagement and reflection with the book. Now, another question is, how do we do that?
Something I realized during my lesson was
that I didn’t stop to confer with my students as we read and followed along. I
didn’t give them moments to open up—breathe—with the text. In my head, I
rationalized with myself that it’s important for them to experience the novel,
straight through, with no interruptions. However, I realized short after that I was
hindering their understanding by not allocating time for pauses during the
reading. As Kylene Beers writes, “it is
more critical...to talk about texts during
the reading experience than after it”
(2003, p. 104). By making sure to stop at points in the reading, and gage
student understanding, comprehension, focus, and enrichment will bloom.
Thinking back to my high school years, I myself remembered those moments of
levity where the instructor stopped the story to pose thinking. It was during
those moments that I felt motivated to think about the story, never letting my
mind deviate to what my weekend plans were (...well,
most of the time). And equally important is what to say or do during those
breaks. Personally, breaks in a whole-class read should never entail
superfluous conversations. In fact, these breaks should encourage deeper
engagement with reading. Just like Bomer states in his writing, “[teaches should]
teach practices to the whole class that we want to become habits...” (2011, p.
86). With those habits, we want to make sure we are employing effective
strategies such as “Think, Pair, And
Share” and “Say Something” to our
students (for more information on these,
refer to the Beers’ text). These
aforementioned strategies are important when dealing with reading in the class
because they promote an important reading habit: the habit of literary
conversation. This was something that was devoid of in my lesson. If I could go
back in time, get the DeLorean to 88,
I would incorporate moments where my students could stop reading for a second
and actually take into consideration the narrative around them. As Beers’
states succinctly: “we need to give students a chance to think about what they
read” (2003, p. 105).
Although I consider my lesson a dud, it is
still something which I value immensely. This lesson made me realize that
whatever I do as a teacher, I should always maintain the virtue of reflection
and the necessity to troubleshoot when needed. Going forward, I’ll know when a
whole-class read could be better dealt in smaller, sustained groups.
Thanks for reading.
References:
Beers,
K. (2003). When kids can’t read: What
teachers can do. Portsmouth, NH: Heinemann.
Bomer, R. (2011). Building Adolescent Literacy in Today’s English Classrooms. Heinemann:
Portsmouth, NH
Golding, William. Lord of the Flies. A Novel. New York: Perigee, 1954.
Golding, William. Lord of the Flies. A Novel. New York: Perigee, 1954.
Thank you for this engaging story of your teaching and reflection, as well as your thoughtful use of Beers’ When Kids Can’t Read to inspire your future lesson design, Mr. P! Thanks for reminding us that sometimes the answers to our challenges and questions may be right under our noses. I look forward to hearing how your students do with time to talk and reflect during the shared reading of LotF!
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